Issues
The text, story, all names, characters, and incidents portrayed in this journal are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.
2023
SPRING
A WORK NEEDS ONLY TO BE INTERESTING? - SOLD OUT
2022
SPRING
THE ‘MODERN’ - THE TIME OF HELL?
SUMMER
ART AS AGENT OF SECRET DISCONTENT…
AUTUMN
ART IS A HISTORICAL ONTOLOGICAL CONCEPT?
WINTER
ART AS MODEL OF CONTRADICTORY STRUCTURE OF COLLECTIVITY?
2021
SPRING
FICTION OF THE AUTHOR
SUMMER
[UNTITLED]
AUTUMN
REPRESSIVE DESUBLIMATION?
WINTER
ONLY WHAT HAS BECOME IS TRUE
2020
SPRING
ART & STRUCTURAL LINGUISTICS?
SUMMER
REDISCOVERING SMITHSON
AUTUMN
FRAGMENTS
WINTER
HOW DOES ONE APPROACH AN ARTIST WHOSE PRINCIPLE MODE OF PRODUCTION IS BOUND UP WITH THE WORK’S DESTRUCTION?
2019
SPRING
AUTONOMY + SOCIAL FACT: ART’S DOUBLE LIFE?
SUMMER
BAD ROMANTIC ARTISTIC INDIVIDUALISM?
AUTUMN
THE DEATH OF ART
WINTER
THE SCHEMA OF ART?
2018
SPRING
I HAVE A TASTE FOR THE SECRET
SUMMER
FILE AS SURVIVAL?
AUTUMN
THE TRANSNATIONAL CONSPIRACY
WINTER
SPECTRES OF ART?
2017
SPRING
FUTURE OF THE DIALECTICAL IMAGE
SUMMER
CONTEMPORAPHOBIA?
AUTUMN
HISTORY AS THE MOVEMENT OF THE DIFFERENCE BETWEEN TOTALITY AND INFINITY?
WINTER
THE SPECTRE OF THE POETIC HAUNTING CONTEMPORARY ART?
2016
SPRING
NOW IS HISTORY?
SUMMER
THE EXHIBITION IS DEAD! LONG LIVE THE EXHIBITION!
AUTUMN
THE OSBORNE ENIGMA
WINTER
THE INTERESTING
2015
SPRING
INSIDE AND OUTSIDE OF RELATIONS OF EXCHANGE
SUMMER
WHAT IS POVERTY?
AUTUMN
IDEOLOGY OF THE CONTEMPORARY
WINTER
CONTEMPORARY FICTION
2014
SPRING
THE DEATH OF SELF-REFERENTIALITY
SUMMER
ALLEGORY
AUTUMN
ACTION OF THE STRUCTURE
WINTER
OCTOBER’S TOMB: THE DEATH OF MODERNIST FORMALISM
2013
SPRING
THE MAN WITHOUT NARRATIVE CONTENT
SUMMER
VENICE BIENALLE - HISTORICIZING ATTITUDES
AUTUMN
MARXIST AESTHETIC APPRECIATIONS?
WINTER
CRITICAL ALIBIS
2012
SPRING
50 (CON)TEMPORARY ARTISTS + TOP 100 POWERLESS
SUMMER
MONEY AS CULTURAL FORM?
AUTUMN
DOC.13: DOCUMENTING THE DOCUMENTATION OF DOCUMENTA
WINTER
‘ART IS MAGIC DELIVERED FROM THE LIE OF BEING TRUE’
2011
SPRING
THE PREFIX PROBLEMATIC
SUMMER
‘EVERY ARTWORK IS AN UNCOMMITED CRIME’
AUTUMN
ART + LABOUR + SOCIETY
WINTER
CULTURE IS SUBJECT PRODUCTION
2010
SPRING
RETURN OF THE STORYTELLER
SUMMER
GCGCA(i)
AUTUMN
AVANT-GARDE
WINTER
THE CONCEPT OF NATURAL HISTORY
2009
SPRING
THE ISSUE OF ART JUDGEMENT
SUMMER
WHEN EVERYTHING BECOMES FORM
AUTUMN
IS PASSION POSSIBLE?
WINTER
SOCIAL POWERLESSNESS
2008
SPRING
THE HAMLET ISSUE
SUMMER
CON ART
AUTUMN
ART + POLITICS
WINTER
THE ISSUE OF THE STRUCTURALIST CONCEPT OF ART
