AUTUMN 2008 - ART + POLITICS - SOLD OUT

‘ART & POLITICS’: THE USUAL CONJUNCTION

POLITICS AS ART AS THE ‘FIGURING’ OF FREEDOM (AUTONOMY)

ART’S REFLEXIVELY HETERONOMOUS CHARACTER (IN ORDER TO RESIST ITS SOCIAL AFFIRMATION)

POLITICS OF (ART) SPACE

‘NON-PLACE’ (‘ART SPACE’) AS THE SPATIAL CORRELATE OF THE TEMPORAL FORM OF THE MODERN (‘THE NEW’)

TOTALITARIAN AESTHETICS? ARISTOTLE’S MASTERMINDING OF THE PRODUCTION OF SUBJECTS OF RECONCILIATION

MORALIZING CATASTROPHE? THE ENVIRONMENTAL CONTEXT IN ART: RONI HORN’S DEEP ART ECOLOGY; OR, THE DOMINANT FORM OF HETERONOMY IN ART

POLITICS AS ENDURING NON-ART OBJECT OF AUTONOMOUS ART PRACTISES IN THE CONTEMPORARY FIELD TODAY

‘WE NEED TO ESTABLISH A NEW TEMPORAL RHYTHM’: RHYTHM ANALYSIS

EXEMPLARY CRITICALLY REFLECTIVELY INTERESTING ART; OR: POLITICS - THE UNOBSCURELY ENDURING NON-ART OBJECT OF DESIRE OF PRACTISES OF THE PRODUCTION OF AUTONOMOUS ART?

THE APPROPRIATION OF INSTITUTIONAL CRITIQUE AS AN ARTS INSTITUTIONAL MEANS TO POLITICAL MODERNISATION (FRED WILSON AT THE BALTIMORE MUSEUM): ICA EVENT REPORT: ‘INSTITUTIONAL CRITIQUE: CAN THE INSTITUTION BE CRITICISED?’

INSTITUTIONAL CRITIQUE AS A POLITICAL FUNCTIONALISM TURNED INWARD, AGAINST THE SOCIAL RELATIONS OF AUTONOMY RESPONSIBLE FOR ART’S LACK OF ‘PRODUCTIVITY’ AND SOCIAL IMPOTENCE, EVEN

REVIEW: 9 LEBANESE ASSASSINATION FRAGMENTS

NEWS: THE FACT THAT PEOPLE WANT ART TO SOLVE THE CRISIS OF POLITICS IS THE CRISIS OF POLITICS

CONFERENCE REPORT: THE REDUNDANT CONJUNCTURE? ‘AESTHETICS’ AND ‘POLITICS’

CAPOTE AND THE MORALISM OF SIGHT

SAM PECKINPAH'S WILD LAUGHTER

MARK ROTHKO - TATE MODERN