SPRING 2016 - NOW IS HISTORY? - SOLD OUT

ART INSTITUTIONAL REVIVAL OF POLITICS WITH A CONCEPT OF HISTORY (BUT NOT THE ‘HISTORY’ OF THE HISTORIANS - INCL. ‘ART HISTORIANS’)

THE END OF LEFT HISTORY? T.J. CLARK + THE GUILT CONTEXT OF THE LIVING

FINDING ‘THE POLITICAL’ IN ‘THE REAL’ OF THE PAST? THE DOCUMENTARY FORCE (IN THE PRESENT) OF ‘PAST’ EVENTS

‘THE PRESENT IS THE FUTURE OF THE PAST, AND THE PAST OF THE FUTURE’: AD REINHARDT’S ‘TWELVE RULES FOR A NEW ACADEMY’

TO EACH CONCEPT OF THE PRESENT, ITS OWN PRE-HISTORY

THE ‘NOW’ AND THE ‘THEN’, OR THE ‘WHAT-HAS-BEEN’: AGAINST HISTORICAL CONTINUITY: HISTORICAL THOUGHT AS THE CONSTRUCTION OF AN IMAGE OF THE RELATIONSHIP BETWEEN THE PAST AND THE PRESENT - A ‘THEN’ AND A ‘NOW’

DISMANTLING THE VERITABLE APPARATUS OF CAPTURE: WHEN TRADITIONALLY CATEGORISED WORKS ARE RESTITUTED TO THEIR TRUE ONTOLOGICAL FORM, AS ELEMENTS IN, OR DOCUMENTS OF, PERFORMANCE WORK

BETWEEN THE DISJUNCTIVE UNITY OF THE HISTORICAL PRESENT AND THE EXISTENTIAL DISJUNCTIVENESS OF THE PRESENT ITSELF? DISTINGUISHING HISTORICAL TEMPORALISATION FROM TEMPORALISATIONS OF HISTORY

NEWS: THE HUMBOLDT FORUM - THE MUSEUM OF THE END OF THE PRESENT AS THE POST-WAR PERIOD

THE MISERY OF THE PRESENT

THE FICTION OF HISTORY AND THE HISTORY OF FICTION 

PAINTING HISTORY - A FACT THAT SPLASHES

THE ART OF THE EXHIBITION OF THE GENERIC: GEOMETRICAL SHAPE