WINTER 2015 - CONTEMPORARY FICTION - SOLD OUT

CONCEPTUAL LITERATURE: (DEAD) OLD DOG: NEW TRICKS

LITERATURE: FROM GENERIC TO SINGULAR

THE DEATH OF THE NOVEL AND THE REVIVAL OF LUKAC’S BOURGEOIS PHILOSOPHY OF THE NOVEL

THE SOCIAL ACTUALITY OF THE NOVEL?

ADORNO AND THE LIMITS OF FREEDOM

‘FICTIONS, IF SUCCESSFUL, MAKE SENSE OF THE HERE AND NOW’

FEELING ‘EVERYDAY’? DAYS OF PAINTING AND THE PAINTING OF DAYS

THE MAN WHO ESCAPED INTO SPACE: THE KABAKOV FILES

EXHIBITION REVIEW: THE PARALLAX CORPORATION

NEWS: APOCALYPTIC SAATCHI WALLPAPER, AFTER THE ROYAL ACADEMY APOCALYPSE EXHIBITION? (THE SAATCHI-ROYAL ACADEMY CONNECTION)

THE FICTION OF THE CONTEMPORARY? SHARED SOCIAL TIME IN THE REALISM OF THE FILMS OF ROBERT ALTMAN

ARE THE DAYS OF ‘ALL THE WORLD’S FUTURES’ PAST? THE 56TH BIENNALE DI VENEZIA

NEWS: THE DEATH OF TRUE ART CONNOISSEURSHIP BY A CANALETTO (OR A BELLOTTO?), EVEN

AI WEI WEI - ROYAL ACADEMY

ALL THAT IS WOOD MELTS INTO SOUND? THE SOCIALLY ENGAGED ARTIST STRIPPED BARE BY THE HERITAGE TRADITION, EVEN? (OR; TRADITION: APPARATUS OF CAPTURE - FROM SOCIAL TO SPIRITUAL WELFARE)