SPRING 2013 - THE MAN WITHOUT NARRATIVE CONTENT - SOLD OUT

DISTRIBUTED COLLECTIVE MEMORY? A UNITY DISTRIBUTED IN MEMORY: THE SECRET THEORY BEHIND THE WORK; OR: RESISTING CRITICISM (SECRETLY SEALING INSTITUTIONAL RECOGNITION / PRESTIGE VALUE)

(RE)HANGING TIME: TATE BRITAIN HIRES TIME TO (RE)HANG ITSELF?

ACTUALIZING PERMANENT TRANSITION: THE ABSTRACT MIRRORING OF THE ’NOW’ - INFINITE WORK (FOREVER BECOMING?)

THE HISTORIOGRAPHY OF ART HISTORY? (THE BOOKS THAT SHAPED ART HISTORY ARE HISTORY! OR; IT’S ABOUT THE DIALECTICS OF AUTONOMY AND HETERONOMY?)

I’VE GOT 88 NATIONS BUT BEING CONTEMPORARY ISN’T ONE (‘YOU HAVE EIGHTY-EIGHT DIFFERENT WAYS OF BEING CONTEMPORARY’); OR: THE CONTEMPORARY ‘AS’ TEMPORAL DISJUNCTURE

SALON DES FRIEZE REFUSES? (ART13: THE SUBALTERN ART FAIR SPEAKS? (IS THE VERY IDEA OF A GLOBAL ART FAIR VULGAR?))

THE MAGAZINE WITHOUT CONTENT: NEVER LEG PAINTINGS GO? ‘MODERN PAINTERS’ MEETS ‘RUSCHA[/ROOSHAY’]S GENERATION’ (AND DEVELOPS AN UNPRECEDENTED DEGREE OF HISTORICAL SELF-CONSCIOUSNESS IN THE PROCESS?)

'LIFE CAN ONLY BE UNDERSTOOD BACKWARDS, BUT IT MUST BE LIVED FORWARDS': RECOVERING THE ACT AS ‘YOUR’ ACT (SUBJECTIVIATION): ACTION & SELF-INTELLIGIBILITY - SUBJECTIVE PROCESS AND THE RETROACTIVE GROUNDING OF SUBJECTIVATION - AN ELEMENT OF CERTAINTY THAT SUBJECTIVATION ALONE MADE POSSIBLE? (OR; HISTORICAL UNDERSTANDING CAN ONLY BE GRASPED AS AN AFTERLIFE OF THE THING BEING UNDERSTOOD?)

'MANIFESTA' WANDERS INTO AN APPARATUS OF CAPTURE? DISPATCHES FROM THE FRONT LINE OF THE CULTURAL-INDUSTRIAL WAR (IN COOPERATION WITH REACTIONARY PHILOSOPHY JOURNAL)

SCULPTURE POLICE (AFTER L. COHEN): TOM FRIEDMAN - CIRCLE DANCE - FRIEZE NEW YORK - 9 - 13 MAY 2013

WANTED: BRANDEN W. JOSEPH SUSPECTED BY THE SCULPTURE POLICE (AFTER L. COHEN) FOR NEGATIVE CAPABILITIES (ON OLDENBURG & POLLOCK), ARTFORUM - APRIL 2013 - PAGE 231 - PAGE 239

GHOST OF KRAUSS - CAMDEN ARTS CENTRE EXHIBITION SUBTITLE

THE HISTORICIST ART THEORY BEHIND THE ARTICLE TITLE? FAREWELL TO AN IDENTITY - ARTFORUM - DECEMBER 2012

PREHISTORIC MODERNS (WE’RE ALL CAVE PAINTERS NOW): ICE AGE ART - BRITISH MUSEUM

THE ART HISTORICAL ACADEMIC NICHE BEHIND THE CURATION?

SCULPTURE POLICE ARE LOOKING THROUGH MY FOLDERS, SCULPTURE POLICE ARE TALKING TO MY FRIEZE, SCULPTURE POLICE HAVE GOT THEIR FINAL ORDERS, SCULPTOR, DROP YOUR CHISEL, ITS SCULPTURE POLICE!