AUTUMN 2016 - THE OSBORNE ENIGMA - SOLD OUT

THEMATIC CURATORIAL CONSTRUCTIVISM? SUTURING THE SINGULAR; OR, A POSSIBLE USE OF THEMATIC CURATORIAL STRUCTURES IN THEIR RECODING OF THE INDIVIDUALITY OF ARTWORKS (IN THE CONTEXT OF LARGE-SCALE INTERNATIONAL EXHIBITIONS)?

‘ALL ARTWORKS ARE ENIGMAS … IF ONE IS WITHIN THE ARTWORK, IF ONE PARTICIPATES IN ITS IMMANENT COMPLETION, THIS ENIGMATICALNESS MAKES ITSELF INVISIBLE; IF ONE STEPS OUTSIDE THE WORK, BREAKING THE CONTRACT WITH ITS IMMANENT CONTEXT, THIS ENIGMATICALNESS RETURNS LIKE A SPIRIT’

NEWS: GALLERY ARTIST WHO CREATED IDEAS FOR ART, SUBSEQUENTLY FELT SELF-CONSCIOUS ABOUT THEM, INDEXED AND FILED THEM AWAY IN A CABINET, GREW AFRAID OF THEM, SECURED THEM IN A SAFE, THEN FORGOT THE CODE; THE IDEAS INSIDE SUBSEQUENTLY AUTO-DESTRUCT, LEADING TO DESTRUCTION OF THE GALLERY

NOVEMBER AFTER OCTOBER?

NEWS: CONCEPTUAL ART MARCH + SIGNS OF PROTEST: ’ART IS NO LONGER AN OBJECT’ - ‘ART IS A CONCEPT’: A CAMPAIGN FOR PARADOXICAL INSTITUTIONAL RECOGNITION OF CONCEPTUAL ART AS ‘POST-CONCEPTUAL’, EVEN?

TRANSGENRE? WESTWORLD: A COLLAGE OF SUBGENRE (PROGRESSIVE MODIFICATIONS) OR MEDIATIONS/NEGATIONS (VIA TRANSCATEGORIAL CROSSINGS)?

NEWS: ARTIST TRANSPORTS ROSA PARKS’ FORMER DETROIT HOME TO GERMANY

OSBORNE GLOSSARY