AUTUMN 2017 - HISTORY AS THE MOVEMENT OF THE DIFFERENCE BETWEEN TOTALITY AND INFINITY? - SOLD OUT

‘OUR’ MODERNITY? HISTORY IN THE COLLECTIVE SINGULAR

IT’S ABOUT THE FUTURE; OR, WHY THE HISTORY OF THE COMMON-SENSE UNDERSTANDING OF THE TERM ‘HISTORY’ SHOULD BECOME HISTORY

CONSPIRACY AS TOTALITY: A CRISIS IN MEANING AS A CRISIS IN THE WORLD ITSELF? OR; THE VERY MEANING THROUGH WHICH THE EXPERIENCE OF EXISTENCE WOULD ORGANISE ITSELF HAS BECOME AS PROBLEMATIC AS THE HOPE THAT THIS DISASTROUS COURSE OF THE WORLD COULD ONE DAY BE CHANGED?

THE LOGICAL DIFFERENCE BETWEEN ARTWORKS AND ART? THE ARTWORK IS THE FRAGMENT OR TORSO AND THE TOTALITY OF ART IS THE INFINITE WORK OR IDEAL OF ART

THE INFINITY CONDITION? THE DESTITUTION OF THE SELF AND THE MATHEMATICAL SUBLIME

TOTALITY AND INFINITY (EXHIBITIONS OF UNIVERSALITY SERIES)

THE MODERN’S COLONIAL RESERVE; OR: THE TRIBAL CODE STRIPPED BARE (DECODED) AND RECODED BY ITS DEALERS AND COLLECTORS, EVEN

CONSTITUTIVE ILLUSIONS: WORLD HISTORICAL ACTION IN ART?

EXHIBITION REVIEW: CONSTELLATIONS: A GALAXY OF MODERN ART HISTORY FROM MARCEL DUCHAMP TO.. - TATE LIVERPOOL

REVIEW: THE PARALLAX CORPORATION

NEWS: ELLIPTICAL BOREHOLE ‘CUT’ DISCOVERED IN FLOOR OF ENTRANCE TO MOMA, ACCOUNTING FOR DROP OF MILLIONS IN ATTENDANCE OVER THE YEARS, WHO WILL NEVER BE RECOVERED, AS THE WHOLE RUNS DEEP DOWN, TO THE EARTH’S CORE