SPRING 2011 - THE PREFIX PROBLEMATIC - SOLD OUT

ISN’T IT IRONIC? THE POSTROMANTIC IRONY OF PERMANENT PARABASIS?

ART GALLERIES POST-SGCGCA(i): AN IRONIC CASE OF MISTAKEN FICTIONALITY?

THE POST-MEDIUM CONDITION OF CONTEMPORARY ART (AS POST-CONCEPTUAL)?

TURNING BACK FROM A VOYAGE ON THE NORTH SEA? ON KRAUSS AND THE SPECIAL MELANCHOLY OF THE POST-MEDIUM CONDITION DISAVOWING ITS OWN CONDITION

THE PREFIXES OF CRITICAL CATEGORIES: CONSTRUCTING AN AFFINITY BETWEEN DIFFERENT THEORETICAL FIELDS WITHIN BROADER FRAMEWORKS OF THOUGHT

‘INTER’: DOMINANT PREFIX OF THE FIRST HALF OF THE TWENTIETH CENTURY

‘POST’: THE PREFIX ‘DU JOUR’ FROM THE 1960s THROUGH TO THE 1990s

’TRANS’: THE PREFIX THAT APPEARS INTO CRITICAL DAYLIGHT IN THE WAKE OF THE THEORETICAL WEAKNESS OF THE ‘POST’ PREFIX (OF BACKWARD-LOOKING TEMPORAL OVERCOMING), AND A SHIFT TO THE CONCEPTUALIZATION OF PROCESSES?

THE POSTCONCEPTUAL CONDITION, OR, THE CULTURAL LOGIC OF HIGH CAPITALISM, AFTER THE POSTMODERN CONDITION, THE CULTURAL LOGIC OF ‘LATE CAPITALISM’ (AFTER THE QUESTION, ‘LATE CAPITALISM OR INDUSTRIAL SOCIETY?’ - ADORNO’S OPENING ADDRESS TO THE 16TH GERMAN SOCIOLOGICAL CONGRESS [1968])

THE SELF-MISUNDERSTANDING OF THE CATEGORY OF THE POSTMODERN (ITS CONSTITUTIVE SELF-NEGATING TEMPORAL LOGIC)

SUFFERING FROM THE INDETERMINACY OF ITS CONSTITUTIVE NEGATION: POSTMODERNISM, POST-FORMALISM AND POST-MEIDUM

THE QUARREL OF THE PREFIXES

REVIEW: THE POSTCONCEPTUAL CONDITION, AFTER THE POST-MEDIUM CONDITION, AFTER THE POSTMODERN CONDITION, EVEN?

REVIEW: THE POST-MEDIUM CONDITION OF CONTEMPORARY ART, AS POST-CONCEPTUAL, EVEN (2008)

NEWS: THE SMELL OF THE PAST? REVIEW: CAVE OF FORGOTTEN DREAMS

NEWS: HISTORICIZING POMO? ‘POSTMODERNISM: STYLE AND SUBVERSION - 1970-1990’ - V&A

THE FUTURE AFFECTS THE PAST? POST-CONCEPTUAL MASTER DRAWINGS? (IS THE TRUTH (THE ANTI-AESTHETICISM OF) CONCEPTUAL ART REVITALIZING THE OLD MASTER DRAWING ART MARKET?)

COMPLETING AI WEI WEI

GHOST OF KRAUSS - ARTFORUM - FEBRUARY 2011 - PAGE 219 

GABRIEL OROZCO - TATE MODERN

SUSAN HILLER - TATE BRITAIN

BRITISH ART SHOW 7 - HAYWARD GALLERY

PINO PASCALI - CAMDEN ARTS CENTRE

EVE SUSSMAN - HAUNCH OF VENISON

WHEN ATTITUDES BECAME FORM - KARSTEN SCHUBERT & RICHARD SALTOUN

ANTHONY MCCALL - SPRUTH MAGERS

ANSELM KIEFER - WHITE CUBE

EXHIBITION REVIEWS

JAMIE SHOVLIN - IBID PROJECTS

IAN FORSYTH & JANE POLLARD - SOUTH LONDON GALLERY