SPRING 2020 - ART + STRUCTURAL LINGUISTICS? - SOLD OUT

LANGUAGE IS AS PRIMARY AS STEEL

‘IT SPEAKS FROM ITS MUTENESS’: THE DIALECTIC OF SUBJECTIVE SPEECH-CHARACTER AND OBJECTIVE MUTE-CHARACTER; OR, THE DOUBLE LINGUISTIC CHARACTER OF ART

MONOGRAMMATOLOGY? TEXTUALITY AND PROTEST AFTER BALDESSARI’S IMAGE AS SIGN TO BE READ (‘THIS IS NOT TO BE LOOKED AT’)

NON-DISCURSIVITY + LOGICALITY - A POSSIBLY DISCURSIVE - BUT NON-CONCEPTUAL - LOGICALITY (A MIMETICALLY MEDIATED, SPECIFICALLY MODERN, ARTISTIC RATIONALITY)?

A GENERAL SEMIOTICS OF CULTURE? (IS BAUMGARTEN’S AESTHETICS AS A GENERALIZATION OF POETICS HOMOLOGOUS TO SAUSSAURE’S USE OF GENERAL LINGUISTICS AS A MODEL FOR SEMIOLOGY?)

AREN’T ALL SYSTEMS INDIVIDUALS, JUST AS ALL INDIVIDUALS ARE SYSTEMS - AT LEAST IN EMBRYO AND TENDENCY?

THE ART OF REFUNCTIONALITY: FROM ONE DISTRIBUTED UNITY - TO ANOTHER

KITSCH PAINTINGS HAVE EVEN INFECTED SUNSETS

SUNDAYS: ONE DOES CULTURE A GREATER HONOUR BY FORGOING IT AND NOT TAKING PART IN ITS FESTIVALS THAN BY AGREEING TO BE FORCE-FED (THE ART OF REGULATION OF CULTURAL NEED SERIES)

AVANTE-GARDE PSUEDO-POETRY? THE CINEMA: A MISALLIANCE BETWEEN PHOTOGRAPHY AND THE NOVEL?

THE OUTRAGEOUS PROPORTION THE READING OF NOVELS HAS ATTAINED IN ALL OUR LIVES

CUBIST ARTIST MASTERMINDS ART OUT OF DISCARDED CIGARETTE PACKETS

ALL THAT’S LEFT (WHEN YOU RUN OUT OF PAINTINGS AND SCULPTURE); AN EXHIBITION OF THE HISTORY OF WORKS ON PAPER, AS A SURFACE ON WHICH TO TEST OUT COMPOSITIONS AND IDEAS? EXHIBITION REVIEW - PICASSO AND PAPER - ROYAL ACADEMY

THE COLOURED BORDER OF A CRYSTALLINE SIMULTANEITY? THINKING ART BEYOND TRADITIONAL AESTHETICS? CONFERENCE REPORT: THINKING ART - ONE-DAY INTERNATIONAL CONFERENCE - ICA, LONDON

UNCORASSABLE? LOOKING TWO YEARS BACK TOWARDS A TEN YEAR ANNIVERSARY PERFORMANCE OF ‘AN INTERMINABLE AVALANCHE OF CATEGORIES’: YOU CAN’T HANDLE THE TRUTH, WITTE DE WITH CENTRE FOR CONTEMPORARY ART, ROTTERDAM

‘REALITY’ IS NEITHER THE SUBJECT NOR THE OBJECT OF TRUE ART, WHICH CREATES ITS OWN SPECIAL REALITY HAVING NOTHING TO DO WITH THE AVERAGE ‘REALITY’ PERCEIVED BY THE COMMUNAL EYE?

CERTAINLY EVERY FINISHED WORK OF ART IS ALREADY PREDETERMINED IN SOME WAY BUT ART STRIVES TO OVERCOME ITS OWN OPPRESSIVE WEIGHT AS AN ARTEFACT THROUGH THE FORCE OF ITS VERY CONSTRUCTION - EXHIBITION REVIEW - THE UNWORLDLY GLOBALIST AND THE NATIVE INFORMANT - TOWARDS A NEW TRANSNATIONAL CULTURAL LITERACY - MITHRAEUM, LONDON

ARTIST UNCOVERS TRUTH THAT THE DIRECTOR OF GALLERY EXHIBITING THEIR WORK CO-FOUNDED SOFTWARE COMPANY - HYAT UBER SUSHI HELL (HUSH) - RESPONSIBLE FOR FACILITATING POWERPOINT PRESENTATION USED AS PART OF INFAMOUS INFORMATIVE 2018 G20 SEMINAR ON ELIMINATING DISSIDENT JOURNALISTS [‘DENY, DISMEMBER, DESTROY EVIDENCE’), PHYSICALLY DISMANTLES AND REMOVES THEIR ART (INCLUDING DISPLAY UNITS AND RELATED OBJECTS OF TECHNOLOGY USED TO PRESENT THEIR WORK) AND DUMPS THEM INTO THE SERPENTINE, CAUSES A FIRE, ELECTROCUTING THEMSELVES TO DEATH, EVEN.

NEWS: AMAZON HURTING THE WORD ‘RUSCHA'? $53M FOR PART OF A SERIES OF WORD PAINTINGS

‘CREATIVE INDUSTRY’; ‘ART INDUSTRY’; ‘CULTURE INDUSTRY’: THE DEATH OF OXYMORONIC CULTURAL TERMINOLOGY?

CARTOON - INSTRUMENTAL REASON - THE 21ST CENTURY SOCIAL DISEASE?