AUTUMN 2015 - IDEOLOGY OF THE CONTEMPORARY - SOLD OUT

‘THIS WAS SO CONTEMPORARY’? 

STATE SPONSORED POST STUDIO PRACTISE? THE DESTRUCTION OF THE STUDIO OF WEI WEI [DIGITAL]

GLOBAL STUDIO PRACTISE

GLOBALIZING THE CONSTITUTIVE ILLUSION? THE GLOBAL CONTEMPORARY MUSEUM?

NEOLIBERAL CULTURAL CAPITAL(S) OF THE WORLD UNITE! (OR; TENDENTIALLY GLOBALLY SOCIO-SPATIALLY DISTRIBUTED CULTURAL CAPITAL(S) OF THE WORLD, UNITE? (THE GLOBE ‘IS’ THE CAPITAL OF THE 21ST CENTURY?))

THE ART-HISTORICAL DISCOURSE OF ‘THE CONTEMPORARY’ DISPLACED BY THE DISCOURSE OF ‘GLOBAL ART’ HISTORY, EVEN?

THE CONTEMPORARY AS PRESENTISM? THE IDEOLOGICAL CONCEPT OF THE CONTEMPORARY

ETERNALIZING THE EPHEMERAL? DANCING INTO THE ART INSTITUTION

MASTER THE CONTEMPORARY? (MA IN THE CONTEMPORARY)

CONTEMPORARY SUBJECTS / SUBJECTS OF THE CONTEMPORARY: PERFORMERS OF THE SELF-CONSCIOUSNESS OF ‘UP-TO-DATENESS’?

THE WORLD 'DEWORLDS'? THE WORLDLESSNESS OF THE ARTWORLD?

SUBJECTION TO ‘THE CONTEMPORARY’; OR, ENIGMATICALNESS AS SUBJECT PRODUCTION

IDEOLOGY-FREE FILM? THE WORK OF KELLY REICHARDT 

IDEOLOGICAL BORDERS - REVIEW: THE WAY BACK

CINEMA AND THE ‘TASKS OF APPERCEPTION’

BOOK REVIEW: THE MUSEUM MEETS THE CONTEMPORARY

‘FREEDOM TO THE OBJECT’? ART WORKS AND THEIR EXPERIENCE AS THE FREEDOM OF THOUGHT TO LOSE AND TRANSFORM ITSELF IN ITS ENCOUNTER WITH THE SUBJECT MATTER