SUMMER 2015 - WHAT IS POVERTY? - SOLD OUT

‘WHAT IS LUXURY?’: THE DEMATERIALIZATION OF LUXURY AT THE V&A

THE WELFARE SHOW: THE ‘EXHIBITION IS HISTORY’ SERIES: ‘YOU’RE HISTORY!’

NEO-ARTE-POVERA?

CONCEPTUALISM MEDIATED IN ITALY THROUGH THE CURATORIAL AND CRITICAL ACTIVITIES OF GERMANO CELANT, WHO COINED THE TERM ‘ARTE POVERA’ IN 1967, EVEN (RE-WRITING CONCEPTUAL ART

INCORPORATING THE HISTORICAL TRAJECTORY OF THE LAST TWO BIENNIALS? (COINCIDENCE OF ONE’S OWN LIFETIME EXPERIENCE OF THE ‘EVERY OTHER YEAR’ FESTIVAL): VENICE BIENNIAL: ALL THE WORLD’S FUTURES

THE TASTE OF IMPERIALISM? COKE ZERO ZERO GROUP GROUND ZERO (THE COKE ZERO PROJECT, AFTER ‘INSERTIONS INTO IDEOLOGICAL CIRCUITS: COCA COLA PROJECT (1970)

‘RAINFALL IS ANTI-ART’: GEORGE MACIUNAS ON RAIN

HIRST’S HUNGRY FOR BACON? THE POWER OF ASSEMBLY OF ART-HISTORICAL ASSOCIATION; OR: POWER, AFTER POWER, AFTER POWER, THAT CEASE ONLY IN DEATH: ESTIMATE: 400,000-600,000 - LOT SOLD: 608,750 GBP

A POVERTY OF REPRESENTATION OR AN EMBARRASSMENT OF ARTE POVERA? RECEIVED CULTURAL GOODS AS ‘TREASURE’ (2012); OR: REPEATING THE ONTOLOGICALLY UNREPEATABLE? (IT’S A ‘TREASURE THING’)

THE PRODUCTIVE DEBASING OF TREASURE? (DESTABILISING CULTURAL HERITAGE)

THE NEW WORLD AND DAS RHEINGOLD - MALICK AND WAGNER, AFTER HEIDEGGER AND METAPHYSICS