SUMMER 2016 - THE EXHIBITION IS DEAD! LONG LIVE THE EXHIBITION! - SOLD OUT

ARCHIVE (AS EXHIBITION) FEVER?

HISTORY IS NOW: THE POLITICS OF THE ARCHIVE

NEW DEAD OBJECTS: THE POST-CONCEPTUAL CRISIS OF THE TRADITIONAL SPATIO-TEMPORAL CONDITION OF THE PRESENTATION OF ARTWORKS?

AESTHETIC EXPERIENCE OR EXPERIENCE OF THE WORK OF ART? THE TERMINAL DEFINITIONS OF ’AESTHETIC THEORY’ PROJECT; OR, THE PRACTICAL EFFECTS OF TERMINOLOGICAL DECISIONS (WHAT HAPPENS IS EVERYONE CALLS IT ‘AESTHETICS’ WHEN THEY DON’T MEAN THAT)

PROJECT SPACE: NON-PLACES AND THE NEW SPACES OF ART

ART EXHIBITIONS AS ART HISTORY - THE ART HISTORY OF THE ART HISTORIANS?

DISPLACEMENT AND TRUTH - ABEX AS DISPLACEMENT/CONTINUATION OF THE EUROPEAN TRADITION? RICHTER, AFTER ABEX (VIA POP?)

ART ONLY EXISTS BIENNIALLY (I.E. ART ONLY EXISTS HISTORICALLY)? OR: AN EMERGING AND SUBMERGING IMAGINARY BIENNALE CONTINENT

SERIOUS ABOUT ART EXHIBITION HISTORY: EXHIBITIONS ARE (ART) HISTORY!

HISTORICAL ABSTRACTION? NEOPLASTICISM/DE STIJL AFTER CONCEPTUAL ART; OR: ’NEW OBJECTIVITY’; EXPRESSION AND/OR DISAVOWAL OF ACTUAL/REAL ABSTRACTION?

ANATOMY OF THE ARCHIVE (AS EXHIBITION)

CURATING AFTER CURATION; OR, CURATING CURATION

REVIEW: MEMORY + SITE: THE TEMPORAL AND SPATIAL BARRIERS TO THE FUTURE PREDOMINANT WITHIN THE CURATORIAL REGIME OF THE GLOBAL ART WORLD

THE ART OF ART HISTORICAL SIGNIFICANCE

CONCEPTUAL ART IN BRITAIN 1964-1979 - TATE BRITAIN

BOOK REVIEW: GETTING INTO THE ART WORLD - A BLUFFER’S GUIDE - PART 2: BLUFFING CONVERSATIONS AND CRAFTING A SERIES OF GESTURES THAT HELP YOU EXUDE ‘PRESENCE’

NEWS: FRIDA KAHLO AS THE PREHISTORY OF THE ‘SELFIE’