SPRING 2012 - 100 POWERLESS - SOLD OUT

‘EXPRESSIONISM ITSELF, WHOSE WEAKNESS, WHOSE POWERLESSNESS, WHOS ‘FROZEN’ MANNER OF THE EXCLAMATION ‘MARK’ COMES FROM THE FACT THAT EVERY FIBRE OF IT STILL ACTS AS IF MEANING WERE PRESENT IN A POSITIVELY EMBODIED WAY’

‘IF ONE WISHED TO SALVAGE EXPRESSIONISM AT ALL TODAY, THIS COULD ONLY HAPPEN IN THE SENSE OF DECODING IT AS A POWERLESS INVOCATION’

CHILLING EFFECT: THE SILENCE OF THE SCREAM; OR, THE PETRIFICATION OF EXPRESSION?

THEORY BEHIND CULTURAL CRITICISM: T.J DEMOS - ART AFTER NATURE PP.191-197, AF APRIL 2012

SCULPTURE POLICE (AFTER L. COHEN): BARRY FLANAGAN - TATE BRITAIN - ART FORUM - FEBRUARY 2012 - PAGE 237

THEY WILL NEVER UNDERSTAND OUR CULTURE. THEY’LL NEVER UNDERSTAND THE SCULPTURE POLICE. SCULPTURE POLICE ARE WORKING FOR MY MOTHER. BLOOD IS THICKER MARGARINE THAN GREASE.

A DESECRATION OF SILENCE - BECKETT ON THE ARTWORK

KEEPING TO THE BEAT OF COSMOLOGICAL TIME - JAMES NARES - PENDULUM

BOETTI - TATE MODERN

JEREMY DELLER - HAYWARD GALLERY

YAYOI KUSAMA - TATE MODERN

DAMIEN HIRST - TURBINE HALL

REMOTE CONTROL - ICA

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