WINTER 2011 - CULTURE IS SUBJECT PRODUCTION - SOLD OUT

UNRESOLVABLE CRITICAL OPPOSITIONS? (CRITICAL OPPOSITIONS ARE ULTIMATELY IDEOLOGICAL OPPOSITIONS, WHICH ARE RESOLVED NOT AT THE LEVEL OF CRITICAL DEBATE BY ITSELF, BUT BY CHANGES IN SOCIAL AND INSTITUTIONAL PRACTISES - RELATED TO CRITICAL DEBATES - WHICH HAVE A SOCIAL AND POLITICAL EFFECTIVITY THAT DERIVES ROM SOURCES WAY BEYOND THE DOMAIN OF THEORY?)

CIRCLE OF DEFEAT

THE DIDACTIC TURN IN ART

‘POLITICS’ AS DOMINANT NON-ART FORM IN CONTEMPORARY ART

THE (RE-?) CONSTITUTION OF THE PUBLIC BY ITS (ART) INSTITUTIONS, EVEN?

THE IMAGISTIC CHARACTER OF THE ARTWORK ENDOWS THE SELF-DETERMINING LAW OF ARTISTIC FORM WITH ITS OWN SPECIFIC VIRTUALITY OF THE SUBJECT AS THE NAME FOR THE GROUND FOR THE UNITY OF AN ACT?

THE SUBJECT ONLY EXISTS IN THE DOMAIN OF THE IMAGE (THE IMAGINARY SUBJECT - AGENT OF THE STRUCTURE - THE SUBJECT-SUPPORT ELEMENT OF THE STRUCTURING); ONLY APPEARS IN THE REAL BY MISRECOGNIZING ITSELF IN THE IMAGINARY AS AN ELEMENT OF THE STRUCTURING?

WE ARE THE PROCESS OF MISRECOGNISING OURSELVES AS THE SOURCE OF OUR OWN ACTIONS?

LIBERALISM’S BALM? THE CIVILIZING EFFECT OF LITERARY, TELEVISUAL AND CINEMATIC REPRESENTATIONS OF VIOLENCE?

FRIDA KAHLO: MAKING HERSELF UP - V&A (2018)

OVER INFORMATION? EFFECT AND DOUBT IN TUCUMAN ARDE

GERHARD RICHTER - TATE MODERN

PACIFIC STANDARD TIME - L.A.