AUTUMN 2009 - IS PASSION POSSIBLE? - SOLD OUT

‘HOPE IS PASSION FOR WHAT IS POSSIBLE’?: LOOKING BACK FROM AN AGE WITHOUT PASSION TO A PASSIONATE AGE

EROTOMANIA? (COVERT EROTICISM IN THE WORK OF ROBERT BRESSON & MARCEL DUCHAMP)

‘THE CONTAMINATION OF AESTHETIC FEELING WITH UNMEDIATED PSYCHOLOGICAL EMOTIONS BY THE CONCEPT OF AROUSAL MISINTERPRETS THE MODIFICATION OF REAL EXPERIENCE BY ARTISTIC EXPERIENCE’

ARE YOU READY? (’THE READINESS IS ALL’; OR: THE CONCLUSION OF ART (AS EXPERIENCE (AS SEMIOSIS (AS THE CULTURAL PROCESS OF THE PRODUCTION AND ATTRIBUTION OF MEANING TO SIGNS))) AS A MODIFICATION OF CONSCIOUSNESS)

‘EXPERIENCE’ AFTER ART: ‘OUR EXPERIENCE OF NATURAL OBJECTS IS ITSELF REALLY A REFLEX OF OUR AESTHETIC EXPERIENCE’

THE AESTHETICS OF NATURAL BEAUTY: A STRANGE INTERPLAY OF FORCES BETWEEN DESIRE AND THE PROHIBITION OF DESIRE ENCOMPASSING ALL BEAUTY SINCE ITS DEFINITION BY PLATO IN THE PHAEDRUS

‘SHE ATE THAT BURNING HEART’: THE DIALECTICAL IMAGE OF DANTE’S POETRY AT THE HEART OF HANNIBAL

KEEPING IMMEDIATE DESIRE AT A DISTANCE AS A NECESSARY BUT DEVALUED CONDITION OF WORKS OF ART, EVEN

THE GAP BETWEEN THE IDEAL AND THE REAL; OR, DESIRE AND THE DESIRED; OR, THE PREHISTORY OF THE CONSTITUTION OF THE SPHERE OF ART

THE SPIRITUALIZATION OF THE ART IN POETRY IN THE RENAISSANCE

REVIEW: A STRONG FEELING OF AFFECTION (EXHIBITIONS OF UNIVERSALITY SERIES)

REVIEW - JUN FRANS WA’AH SHADI - TURBINE HALL COMMISSION: ’THE FOREST; OR, REDUCTION TO NATURE: ‘NATURAL BEAUTY’: KANT’S AUTO-DESTRUCTION OF THE CONCEPT OF ART’

BOOK REVIEW: YOU DON’T NEED YOUR DESIRES

I/EOI: INDICATION/EXPRESSION OF INTEREST

NEWS: VISIT THE FUTURE WHERE LOVE IS THE ULTIMATE CRIME

EXHIBITION REVIEWS

SOPHIE CALLE - WHITECHAPEL GALLERY

RADICAL NATURE - BARBICAN

ROSALIND NASHASHIBI - ICA

SUBODH GUPTA - HAUSER & WIRTH

RICHARD LONG - TATE BRITAIN

OLIVIA PLENDER - GASWORKS

ROBERT KUSMIROWSKI - BARBICAN CURVE